庞贝古城的最年夜亮点：人的活石膏像
With plaster casts now scattered about the ancient city， we can observe the images of Pompeians as they died. Most tourists find these casts both macabre and enjoyable.
It is still true today， as J. W. Goethe（1749-1832） wrote about Pompeii， "Many a calamity has happened in the world， but never one that has caused so much entertainment to posterity as this one." People's interest in the sinking of the Titanic in 1912 comes to mind as a modern example of society's fascination with how people react when they recognize that their own death is imminent.My impression of Pompeii during my first visit was much like that of Mark Twain's. He found the city fascinating， yet terribly depressing. There are reminders of death everywhere. It is apparent that the eruption of Vesuvius in 79 A.D. caught the inhabitants totally by surprise. Destruction and death brought a horrifying end to a day that started out as pleasant as any other August day for Pompeii's citizens.参考译文经由历程散落在这座现代都会的人体石像，我们可以看到庞贝人去世时的笼统。年夜年夜都旅游者都会发明，这些石头人像既让人不寒而栗，也让人以为快乐喜爱盎然。
它们直到本日另有声有色。歌德谈到庞贝的时候写到：“世界上发作过良多磨难，但从未有一件像在庞贝城发作的如许给厥先人以如斯庞年夜的玩味。”1912年泰坦尼克号的淹没曾也曾惹起人们的快乐喜爱，这是近代的一个佐证。社会迷恋它、批评辩论它，是想晓得当人们认识到自己的灭亡无可防止的时候，他们会有什么反响反应。
我第一次不雅观赏庞贝城的印象和马克-吐温的差不多。他以为整个都会让人迷醉，但极度克制沉闷。到处都是灭亡的表示。显然，发作在公元79年的维苏威火山的迸发使全部居夷易近陷进恐慌。那一天停止于消灭和灭亡的终局，固然对庞贝市夷易近来说，那一天的清早年夜概和任何一个愉悦的八月清早并无不合。

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